‹Last station› 2024, collection of ‹what are not allowed to be big anymore›, various standard formats, various fabric printing techniques, cotton and linen qualities. Photo: Audgunn
‹ALL MINE› and assembly on a barn #05
‹Squareture›
‹ALL MINE › in a barn #4
Time meeting between a test textile from 1990 and a heritage fabric (war crisis fabric?) from about 1950. Time meeting will take place in 2024, and the test textile will be the mainstay of the time meeting. Photo: Audgunn.
‹ALL MINE› and assembly on a barn #03
Verket ‹Trådknyting› frå 2012 er montert i ein låve i Førde sentrum som del av prosjektet ‹Alt mitt›. Foto: Atle Holsen.
‹ALT MITT› på ein låve #02
The work ‹Red fence› from 2018 is mounted in a barn in the center of Førde as part of the ‹All mine› project. Photo: Atle Holsen
‹ALL MINE› and assembly on a barn e #01
Tekstilen ‹Raudt og blått› frå 1993 er no i 2024 nymontert i ein låve i Førde sentrum som del av prosjektet ‹Alt mitt›. Foto. Audgunn
‹Shawl for the bride› 1998, remonted 2024 at the Scandic Sunnfjord Hotel & Spa
‹SHAWL FOR THE BRIDE› 1998, remounted in the hallway/stair room in Scandic Sunnfjord Hotel & Spa in 2024 as part of the ‹ALL MINE› – project.
‹The Nettle root project› in the exhibition stand at Førdehuset 2024
‹Neslerotprosjektet› i utstillingsmonteren ved Førdehuset
‹All mine› og ‹In cross and across› 1994-2024
‹All mine› og ‹On cross and across› 1994-2024.
‹All mine› and ‹Dialogue› frå 2009
‹All mine› and ‹Dialogue 2›
‹All mine› and new assembly of ‹My stripes› from 1993
Reassembly of ‹My stripes› from 1993 in the trading house Alti Førde. ‹My stripes› is from my solo exhibition at Kunstnarforbundet, Oslo, 1993. Photo: Øystein Klakegg
‹All mine› and remounting of ‹Three dresses and a curtain› from 2005
Remounting of ‹Three dresses and a curtain› from 2005 at the second-hand clothing store ‹Poden og Boden› which is established in the new Elvekanten-bygget in Førde city centre. This is included in the project ‹ALL MINE›. Foto. Øystein Klakegg