‹MØNSTRING 2024› is a group/member exhibition. The Artists’ Centre in Sogn og Fjordane (producer) in the premises of Sogn og Fjordane Art Museum. Time: November 1, 2024 – March 2, 2025

‹Last station› 2024, collection of ‹what are not allowed to be big anymore›, various standard formats, various fabric printing techniques, cotton and linen qualities. Photo: Audgunn

‹Squareture›

Time meeting between a test textile from 1990 and a heritage fabric (war crisis fabric?) from about 1950. Time meeting will take place in 2024, and the test textile will be the mainstay of the time meeting. Photo: Audgunn.

Verket ‹Trådknyting› frå 2012 er montert i ein låve i Førde sentrum som del av prosjektet ‹Alt mitt›. Foto: Atle Holsen.

The work ‹Red fence› from 2018 is mounted in a barn in the center of Førde as part of the ‹All mine› project. Photo: Atle Holsen

Tekstilen ‹Raudt og blått› frå 1993 er no i 2024 nymontert i ein låve i Førde sentrum som del av prosjektet ‹Alt mitt›. Foto. Audgunn

‹SHAWL FOR THE BRIDE› 1998, remounted in the hallway/stair room in Scandic Sunnfjord Hotel & Spa in 2024 as part of the ‹ALL MINE› – project.

‹Neslerotprosjektet› i utstillingsmonteren ved Førdehuset

‹All mine› og ‹On cross and across› 1994-2024.

‹All mine› and ‹Dialogue 2›

Reassembly of ‹My stripes› from 1993 in the trading house Alti Førde. ‹My stripes› is from my solo exhibition at Kunstnarforbundet, Oslo, 1993. Photo: Øystein Klakegg

‹Textile block›, varying size within approx. 10x12x4 cm, wool embroidery, cross stitch, mounted on wooden block.

‹Up collection›, ca. 35cm x 45 x 30cm, textile remnants, glued, knotted, crocheted etc.

‹Dance› 2020

Dette er eit gjerde; eit parkert gjerde.Det er mjuka opp med tekstil og det løyser seg opp i eine…

‹From the beginning to the end›, detail, 2018, approx. 40x35x10 cm, circular knit thread, wooden needles, knitted up to a shape.

‹Small Talk›, 2014, 20×30 cm, embroidery, patchwork seam, cotton canvas…

I am keen to use the material located close by and I have to decide what is the best way to use it, either throw or use.

Embroidered by dot pattern

The textile picture looks seemingly shapeless, but after a while one is able to understand and construe the picture so that one gets a perception of what the starting point is. -thread on a black tabletop.

Public art of Cultural Center ‹Trivselshagen›, Sandane, Norway, 2009. The wall cushions, has both a decorative and a sound absorbing effect.

Inspired by a woollen blanket and the associations connected to it. The left-over material from other work was turned into figures.

A small comment to present times and values nowadays; exercise for fingers and flight for thoughts.

In the work «Proposal» I have arranged a meeting between a female and a male form of expression.

I have always been inspired by mi near past and what has happened to me. I searched dress fabric, but have not had many myself … This is my mother’s three dress fabric and a curtain fabric from the same place …