2024_skaparhuset_dialog2_240x117cm_veggputer

‹Alt mitt› og nymontering av verket ‹Dialog› frå 2009

‹Alt mitt› og ‹Dialog 2›
‹Tekstilkloss›, varierande storleik innafor ca 10x10x4 cm, ullbroderi, korssting på stramei, montert på trekloss.

‹Texstile block› 2021

‹Textile block›, varying size within approx. 10x12x4 cm, wool embroidery, cross stitch, mounted on wooden block.
‹Up collection›, ca. 35cm x 45 x 30cm, textile remnants, glued, knotted, crocheted etc. Mounted in my studio.

‹Up collection› 2019-2021

‹Up collection›, ca. 35cm x 45 x 30cm, textile remnants, glued, knotted, crocheted etc.
‹Dance 1›, 2020, ca 25x20x15 cm, dress fabric, string and nettle roots.

‹DANCE›, 2020

‹Dance› 2020
‹Red fence›, 2018, detail, about 85x70x60 cm (unrolled length about 6 m), textile material embedded string, fence bonding technique.

‹Red Fence›, 2018

Dette er eit gjerde; eit parkert gjerde.Det er mjuka opp med tekstil og det løyser seg opp i eine…
‹Kvit tilstand›, 2018, detalj, ca 40x35x10 cm, rundstrikka tråd, trepinner, strikket opp til ei form.

‹From the beginning to the end› (‹Kvit tilstand›), 2018

‹From the beginning to the end›, detail, 2018, approx. 40x35x10 cm, circular knit thread, wooden needles, knitted up to a shape.
‹Lysglimt› og ‹Under treet›

‹Vinterskog›, ‹Under treet› og ‹Lysglimt›

‹Small Talk›, 2014, 20x30 cm, embroidery, patchworkseam, cotton canvas..., detail

‹Small Talk›, 2014

‹Small Talk›, 2014, 20×30 cm, embroidery, patchwork seam, cotton canvas…
‹The rest›, 2013, detail of the top…

‹The rest›, 2013

I am keen to use the material located close by and I have to decide what is the best way to use it, either throw or use.
‹Embroidery›, 2011, 30x40cm, embroidery, stitch, cotton thread (moulnegarn), cotton canvas, drawing.

‹Embroidery›, 2011

Embroidered by dot pattern
‹Thread 7›, 2010, 40 x 30 cm, cross stitches, woolen fabric and -thread, detail.

‹Thread›, 2010

The textile picture looks seemingly shapeless, but after a while one is able to understand and construe the picture so that one gets a perception of what the starting point is. -thread on a black tabletop.
‹Moonland›, 2009, 35x35cm x 12 and 5 cushions, plywood, padding and covered with coloured wool jersey. Test mounting.

‹Trivselshagen›, Cultural Center, 2009

Public art of Cultural Center ‹Trivselshagen›, Sandane, Norway, 2009. The wall cushions, has both a decorative and a sound absorbing effect.
‹Figures for comfort›, 2005, ca 25x18x15 cm, wool blanket/wool material, wood wool, wool tassel, embroidery and applications, work process.

‹Figures for Comfort›, 2005

Inspired by a woollen blanket and the associations connected to it. The left-over material from other work was turned into figures.
«WOODEN BODY WITH CLOTHES», 2005, plywood, wooden sticks, wool fabric/thread, glue, saw, drill, machine seam, ca 10x7x5 cm, mounting process.

‹Wooden body with clothes› , 2005

A small comment to present times and values nowadays; exercise for fingers and flight for thoughts.
‹PROPORSAL›, 2005, 4 pieces à 75×60 cm (161×153 cm monted), dress material, padding, plywood, glue and sewing thread.

‹Proposal›, 2005

In the work «Proposal» I have arranged a meeting between a female and a male form of expression.
‹TRE KJOLAR OG EI GARDIN›, 2005, à D 15 cm x 96 stk., Kjolestoff, stivemiddel og montasje - lim. ‹THREE DRESSES AND A CURTAIN›, 2005, à D 15 cm x 96 stk., dress material, starch and glue.

‹Three dresses and a curtain›, 2005

I have always been inspired by mi near past and what has happened to me. I searched dress fabric, but have not had many myself … This is my mother’s three dress fabric and a curtain fabric from the same place …